Joana Monteiro

Joana Monteiro http://joanamonteiro.pt Joana Monteiro Mon, 04 May 2020 12:33:12 +0000 http://joanamonteiro.pt en Estudo para um futuro salão de festas http://joanamonteiro.pt/Estudo-para-um-futuro-salao-de-festas http://joanamonteiro.pt/following/joanamonteiro.pt/Estudo-para-um-futuro-salao-de-festas Mon, 04 May 2020 12:33:12 +0000 Joana Monteiro 14094199 Estudo para um futuro salão de festas from Joana Monteiro on Vimeo. SENSO. Galeria efémera para dias de clausura, apresenta: The science city, 6th of October city, Giza, Egypt, 2016 [One mile green circle in the desert] Perfil longitudinal e maquetas Atelier do Corvo com Paula Santos e Harry Wolf e Estudo para um futuro salão de festas, 2020 Joana Monteiro Projecto: SENSO Produção: Atelier do Corvo Apoio: CAPC Edição de vídeo: Jorge Neves Fotografia: Atelier do Corvo <img src="https://payload.cargocollective.com/1/4/147896/14094199/Fachada_670.jpg" width="670" height="502" width_o="4160" height_o="3120" src_o="https://payload.cargocollective.com/1/4/147896/14094199/Fachada_4160.jpg" data-mid="76651757" border="0" align="left" data-title="670 — 670 × 502"data-hi-res="https://payload.cargocollective.com/1/4/147896/14094199/Fachada_1340_c.jpg" /> -- SENSO Galeria efémera para dias de clausura A janela — ou a porta —, esse dispositivo arquitectónico que os construtores inventaram num tempo primordial, é o lugar de fronteira entre o espaço interior e o espaço exterior por onde se entra, ou pelo qual se sai ou se espreita, não privilegiando nenhum dos dois sentidos sobre o seu complementar. É apenas por essa razão que o seu nome tem origem em Janus, o deus romano de duas faces, olhando em simultâneo nos dois sentidos, dois espaços, dentro e fora, mas também dois tempos, passado e futuro, a partir de um tempo presente que este dispositivo representa. Nessa medida, é também um lugar de troca de energias, de vento, de renascimento, e ocorre-me a este propósito pensar na expressão «ventos de mudança». «Window» e «Ventana», grafadas assim na sua língua de origem, testemunham a relação deste dispositivo com a ventilação, a oxigenação, enfim, a renovação. Por agora, vivemos, afinal, suspensos entre um improvável Dezembro de um ano que subitamente terminou sem ter terminado e um Janeiro — outra vez Janus a olhar passado e futuro — que tarde em começar e que marcará a nossa entrada colectiva num mundo desconhecido, envolto em todos os mistérios. Apartados de outros lugares que são uma parte vital das nossas vidas — o Departamento de Arquitectura da Universidade de Coimbra, onde leccionamos, e o Círculo de Artes Plásticas, onde programamos —, será então a partir das portas do nosso atelier que continuaremos a dar um sinal do que nos ocupa, interagindo com o mundo. Mostraremos alguns dos nossos projectos de arquitectura, assim como obras de artistas convidados. Serão dois pares de exposições por semana, ritmo que dá um sinal da nossa esperança de vivermos um tempo breve, que desejamos superar com urgência, como antes dissemos no anúncio deste projecto, Senso. Galeria efémera para dias de clausura é um acto simbólico contra o desânimo e a letargia. <img src="https://payload.cargocollective.com/1/4/147896/14094199/Janela-Direita_670.jpg" width="670" height="893" width_o="2340" height_o="3120" src_o="https://payload.cargocollective.com/1/4/147896/14094199/Janela-Direita_2340.jpg" data-mid="76651759" border="0" align="left" data-title="670 — 670 × 893"data-hi-res="https://payload.cargocollective.com/1/4/147896/14094199/Janela-Direita_1340_c.jpg" /> The science city, 6th of October city, Giza, Egypt, 2016 [One mile green circle in the desert] Perfil longitudinal e maquetas Atelier do Corvo com Paula Santos e Harry Wolf e <img src="https://payload.cargocollective.com/1/4/147896/14094199/PHOTO-2020-04-26-18-38-04_670.jpg" width="670" height="892" width_o="1440" height_o="1919" src_o="https://payload.cargocollective.com/1/4/147896/14094199/PHOTO-2020-04-26-18-38-04_1440.jpg" data-mid="76651749" border="0" align="left" data-title="670 — 670 × 892"data-hi-res="https://payload.cargocollective.com/1/4/147896/14094199/PHOTO-2020-04-26-18-38-04_1340_c.jpg" /><img src="https://payload.cargocollective.com/1/4/147896/14094199/PHOTO-2020-04-29-20-38-43_670.jpg" width="670" height="892" width_o="1440" height_o="1919" src_o="https://payload.cargocollective.com/1/4/147896/14094199/PHOTO-2020-04-29-20-38-43_1440.jpg" data-mid="76651732" border="0" align="left" data-title="670 — 670 × 892"data-hi-res="https://payload.cargocollective.com/1/4/147896/14094199/PHOTO-2020-04-29-20-38-43_1340_c.jpg" /><img src="https://payload.cargocollective.com/1/4/147896/14094199/PHOTO-2020-04-29-20-38-29_670.jpg" width="670" height="892" width_o="1440" height_o="1919" src_o="https://payload.cargocollective.com/1/4/147896/14094199/PHOTO-2020-04-29-20-38-29_1440.jpg" data-mid="76651729" border="0" align="left" data-title="670 — 670 × 892"data-hi-res="https://payload.cargocollective.com/1/4/147896/14094199/PHOTO-2020-04-29-20-38-29_1340_c.jpg" /> Estudo para um futuro salão de festas, 2020 Joana Monteiro Agradecimentos: Carlos Antunes Désirée Pedro Tomé e José Estudo para um futuro salão de festas from Joana Monteiro on Vimeo. SENSO. Galeria efémera para dias de clausura, apresenta: The science city, 6th of October c... Santarém Cultura – programme http://joanamonteiro.pt/Santarem-Cultura-programme http://joanamonteiro.pt/following/joanamonteiro.pt/Santarem-Cultura-programme Sun, 16 Feb 2020 09:04:13 +0000 Joana Monteiro 14041405 <img src="https://payload.cargocollective.com/1/4/147896/14041405/IMG_2208_670.JPG" width="670" height="670" width_o="3024" height_o="3024" src_o="https://payload.cargocollective.com/1/4/147896/14041405/IMG_2208_3024.JPG" data-mid="76282318" border="0" align="left" data-title="670 — 670 × 670"data-hi-res="https://payload.cargocollective.com/1/4/147896/14041405/IMG_2208_1340_c.JPG" /><img src="https://payload.cargocollective.com/1/4/147896/14041405/IMG_2215_670.JPG" width="670" height="670" width_o="3024" height_o="3024" src_o="https://payload.cargocollective.com/1/4/147896/14041405/IMG_2215_3024.JPG" data-mid="76282321" border="0" align="left" data-title="670 — 670 × 670"data-hi-res="https://payload.cargocollective.com/1/4/147896/14041405/IMG_2215_1340_c.JPG" /><img src="https://payload.cargocollective.com/1/4/147896/14041405/IMG_2209_670.JPG" width="670" height="670" width_o="3024" height_o="3024" src_o="https://payload.cargocollective.com/1/4/147896/14041405/IMG_2209_3024.JPG" data-mid="76282322" border="0" align="left" data-title="670 — 670 × 670"data-hi-res="https://payload.cargocollective.com/1/4/147896/14041405/IMG_2209_1340_c.JPG" /><img src="https://payload.cargocollective.com/1/4/147896/14041405/IMG_2210_670.JPG" width="670" height="670" width_o="3024" height_o="3024" src_o="https://payload.cargocollective.com/1/4/147896/14041405/IMG_2210_3024.JPG" data-mid="76282324" border="0" align="left" data-title="670 — 670 × 670"data-hi-res="https://payload.cargocollective.com/1/4/147896/14041405/IMG_2210_1340_c.JPG" /><img src="https://payload.cargocollective.com/1/4/147896/14041405/IMG_2211_670.JPG" width="670" height="670" width_o="3024" height_o="3024" src_o="https://payload.cargocollective.com/1/4/147896/14041405/IMG_2211_3024.JPG" data-mid="76282326" border="0" align="left" data-title="670 — 670 × 670"data-hi-res="https://payload.cargocollective.com/1/4/147896/14041405/IMG_2211_1340_c.JPG" /><img src="https://payload.cargocollective.com/1/4/147896/14041405/IMG_2212_2_670.jpg" width="670" height="670" width_o="3024" height_o="3024" src_o="https://payload.cargocollective.com/1/4/147896/14041405/IMG_2212_2_3024.jpg" data-mid="76282331" border="0" align="left" data-title="670 — 670 × 670"data-hi-res="https://payload.cargocollective.com/1/4/147896/14041405/IMG_2212_2_1340_c.jpg" /><img src="https://payload.cargocollective.com/1/4/147896/14041405/IMG_2213_670.JPG" width="670" height="670" width_o="3024" height_o="3024" src_o="https://payload.cargocollective.com/1/4/147896/14041405/IMG_2213_3024.JPG" data-mid="76282333" border="0" align="left" data-title="670 — 670 × 670"data-hi-res="https://payload.cargocollective.com/1/4/147896/14041405/IMG_2213_1340_c.JPG" /> JACC Records 026 Day One http://joanamonteiro.pt/JACC-Records-026-Day-One http://joanamonteiro.pt/following/joanamonteiro.pt/JACC-Records-026-Day-One Sun, 16 Feb 2020 08:16:05 +0000 Joana Monteiro 10076982 Photography and design by Joana Monteiro With the collaboration of Paul Hardman and Paula Gaitas At Casa das Artes Bissaya Barreto Supported by Condomínio Criativo <img src="https://payload.cargocollective.com/1/4/147896/10076982/Screen-Shot-2015-06-25-at-7.35.15-PM_670.png" width="670" height="499" width_o="1000" height_o="746" src_o="https://payload.cargocollective.com/1/4/147896/10076982/Screen-Shot-2015-06-25-at-7.35.15-PM_1000.png" data-mid="54232720" border="0" align="left" data-title="670 — 670 × 499"data-hi-res="https://payload.cargocollective.com/1/4/147896/10076982/Screen-Shot-2015-06-25-at-7.35.15-PM_1000.png" /><img src="https://payload.cargocollective.com/1/4/147896/10076982/Screen-Shot-2015-06-25-at-7.35.08-PM_670.png" width="670" height="502" width_o="999" height_o="749" src_o="https://payload.cargocollective.com/1/4/147896/10076982/Screen-Shot-2015-06-25-at-7.35.08-PM_999.png" data-mid="54232716" border="0" align="left" data-title="670 — 670 × 502"data-hi-res="https://payload.cargocollective.com/1/4/147896/10076982/Screen-Shot-2015-06-25-at-7.35.08-PM_999.png" /><img src="https://payload.cargocollective.com/1/4/147896/10076982/Screen-Shot-2015-06-25-at-7.35.01-PM_670.png" width="670" height="502" width_o="998" height_o="749" src_o="https://payload.cargocollective.com/1/4/147896/10076982/Screen-Shot-2015-06-25-at-7.35.01-PM_998.png" data-mid="54232715" border="0" align="left" data-title="670 — 670 × 502"data-hi-res="https://payload.cargocollective.com/1/4/147896/10076982/Screen-Shot-2015-06-25-at-7.35.01-PM_998.png" /><img src="https://payload.cargocollective.com/1/4/147896/10076982/Screen-Shot-2015-06-25-at-7.34.54-PM_670.png" width="670" height="502" width_o="998" height_o="748" src_o="https://payload.cargocollective.com/1/4/147896/10076982/Screen-Shot-2015-06-25-at-7.34.54-PM_998.png" data-mid="54232713" border="0" align="left" data-title="670 — 670 × 502"data-hi-res="https://payload.cargocollective.com/1/4/147896/10076982/Screen-Shot-2015-06-25-at-7.34.54-PM_998.png" /> “Take your time,” the examiner said, tapping his foot, drumming his fingers on the desk, checking the clock on the wall and comparing it to his watch, “Take your time. I have all the time in the world.” The candidate began hesitantly: “Time in composition and time in improvisation are different. In composition, time is relatively simple, at least simplistically speaking. There is the time of composing which with luck proceeds in a straightforward manner; then there is the time of performance which is dictated by the composer or the conductor. When you hear a work repeated, there is more chance that you have changed than that the piece has, speaking of course platonically. “But improvised music takes in all the time for each musician involved. And then it privileges the experiential time of each listener. There is the time of ordering a cup of coffee, the time of the first harsh and stimulating sip, the time of caffeine seeping into the blood stream. The time of the traffic jam and the open road, the time of flight, yes, but also the time of the security check. All the time of memory and the time of concentrated effort to free oneself from memory in the instant of creation...” (...) Liner Notes by Stuart Broomer JACC Records Photography and design by Joana Monteiro With the collaboration of Paul Hardman and Paula Gaitas At Casa das Artes Bissaya Barreto Supported by Condomínio Criativo ... Dar a Ouvir http://joanamonteiro.pt/Dar-a-Ouvir http://joanamonteiro.pt/following/joanamonteiro.pt/Dar-a-Ouvir Sun, 16 Feb 2020 08:14:54 +0000 Joana Monteiro 14041385 Paisagens Sonoras da Cidade Jul-Set 2018, Coimbra Cliente: JACC, CMC <img src="https://payload.cargocollective.com/1/4/147896/14041385/MUPI_Dar_a_Ouvir3_670.jpg" width="670" height="977" width_o="1134" height_o="1654" src_o="https://payload.cargocollective.com/1/4/147896/14041385/MUPI_Dar_a_Ouvir3_1134.jpg" data-mid="76282170" border="0" align="left" data-title="670 — 670 × 977"data-hi-res="https://payload.cargocollective.com/1/4/147896/14041385/MUPI_Dar_a_Ouvir3_1000.jpg" /><img src="https://payload.cargocollective.com/1/4/147896/14041385/36575299_424925201318958_7176743717137547264_n_670.jpg" width="670" height="446" width_o="960" height_o="640" src_o="https://payload.cargocollective.com/1/4/147896/14041385/36575299_424925201318958_7176743717137547264_n_960.jpg" data-mid="76282191" border="0" align="left" data-title="670 — 670 × 446"data-hi-res="https://payload.cargocollective.com/1/4/147896/14041385/36575299_424925201318958_7176743717137547264_n_960.jpg" /><img src="https://payload.cargocollective.com/1/4/147896/14041385/IMG_20180628_173620_670.jpg" width="670" height="670" width_o="2257" height_o="2257" src_o="https://payload.cargocollective.com/1/4/147896/14041385/IMG_20180628_173620_2257.jpg" data-mid="76282203" border="0" align="left" data-title="670 — 670 × 670"data-hi-res="https://payload.cargocollective.com/1/4/147896/14041385/IMG_20180628_173620_1340_c.jpg" /><img src="https://payload.cargocollective.com/1/4/147896/14041385/IMG_2201_670.JPG" width="670" height="670" width_o="3024" height_o="3024" src_o="https://payload.cargocollective.com/1/4/147896/14041385/IMG_2201_3024.JPG" data-mid="76282194" border="0" align="left" data-title="670 — 670 × 670"data-hi-res="https://payload.cargocollective.com/1/4/147896/14041385/IMG_2201_1340_c.JPG" /><img src="https://payload.cargocollective.com/1/4/147896/14041385/IMG_2199_670.JPG" width="670" height="670" width_o="3024" height_o="3024" src_o="https://payload.cargocollective.com/1/4/147896/14041385/IMG_2199_3024.JPG" data-mid="76282266" border="0" align="left" data-title="670 — 670 × 670"data-hi-res="https://payload.cargocollective.com/1/4/147896/14041385/IMG_2199_1340_c.JPG" /><img src="https://payload.cargocollective.com/1/4/147896/14041385/postais_Dar_a_Ouvir_670.jpg" width="670" height="471" width_o="794" height_o="559" src_o="https://payload.cargocollective.com/1/4/147896/14041385/postais_Dar_a_Ouvir_794.jpg" data-mid="76282240" border="0" align="left" data-title="670 — 670 × 471"data-hi-res="https://payload.cargocollective.com/1/4/147896/14041385/postais_Dar_a_Ouvir_794.jpg" /><img src="https://payload.cargocollective.com/1/4/147896/14041385/IMG_2188_670.JPG" width="670" height="893" width_o="3024" height_o="4032" src_o="https://payload.cargocollective.com/1/4/147896/14041385/IMG_2188_3024.JPG" data-mid="76282234" border="0" align="left" data-title="670 — 670 × 893"data-hi-res="https://payload.cargocollective.com/1/4/147896/14041385/IMG_2188_1340_c.JPG" /> Paisagens Sonoras da Cidade Jul-Set 2018, Coimbra Cliente: JACC, CMC XVII Jornadas de Cultura Popular http://joanamonteiro.pt/XVII-Jornadas-de-Cultura-Popular http://joanamonteiro.pt/following/joanamonteiro.pt/XVII-Jornadas-de-Cultura-Popular Sun, 16 Feb 2020 07:30:05 +0000 Joana Monteiro 14041379 A Mulher e a Cultura Popular Cliente: GEFAC – Grupo de Etnografia e Folclore da Academia de Coimbra <img src="https://payload.cargocollective.com/1/4/147896/14041379/XVII_JornadasGEFAC_670.jpg" width="670" height="989" width_o="3359" height_o="4961" src_o="https://payload.cargocollective.com/1/4/147896/14041379/XVII_JornadasGEFAC_3359.jpg" data-mid="76282123" border="0" align="left" data-title="670 — 670 × 989"data-hi-res="https://payload.cargocollective.com/1/4/147896/14041379/XVII_JornadasGEFAC_1340_c.jpg" /><img src="https://payload.cargocollective.com/1/4/147896/14041379/IMG_0682_670.jpeg" width="670" height="670" width_o="2448" height_o="2448" src_o="https://payload.cargocollective.com/1/4/147896/14041379/IMG_0682_2448.jpeg" data-mid="76282073" border="0" align="left" data-title="670 — 670 × 670"data-hi-res="https://payload.cargocollective.com/1/4/147896/14041379/IMG_0682_1340_c.jpeg" /><img src="https://payload.cargocollective.com/1/4/147896/14041379/4Cartazes_jornadasGEFAC_670.jpg" width="670" height="946" width_o="1123" height_o="1587" src_o="https://payload.cargocollective.com/1/4/147896/14041379/4Cartazes_jornadasGEFAC_1123.jpg" data-mid="76282077" border="0" align="left" data-title="670 — 670 × 946"data-hi-res="https://payload.cargocollective.com/1/4/147896/14041379/4Cartazes_jornadasGEFAC_1000.jpg" /><img src="https://payload.cargocollective.com/1/4/147896/14041379/4Cartazes_jornadasGEFAC2_670.jpg" width="670" height="946" width_o="1123" height_o="1587" src_o="https://payload.cargocollective.com/1/4/147896/14041379/4Cartazes_jornadasGEFAC2_1123.jpg" data-mid="76282078" border="0" align="left" data-title="670 — 670 × 946"data-hi-res="https://payload.cargocollective.com/1/4/147896/14041379/4Cartazes_jornadasGEFAC2_1000.jpg" /><img src="https://payload.cargocollective.com/1/4/147896/14041379/4Cartazes_jornadasGEFAC3_670.jpg" width="670" height="946" width_o="1123" height_o="1587" src_o="https://payload.cargocollective.com/1/4/147896/14041379/4Cartazes_jornadasGEFAC3_1123.jpg" data-mid="76282079" border="0" align="left" data-title="670 — 670 × 946"data-hi-res="https://payload.cargocollective.com/1/4/147896/14041379/4Cartazes_jornadasGEFAC3_1000.jpg" /><img src="https://payload.cargocollective.com/1/4/147896/14041379/4Cartazes_jornadasGEFAC4_670.jpg" width="670" height="946" width_o="1123" height_o="1587" src_o="https://payload.cargocollective.com/1/4/147896/14041379/4Cartazes_jornadasGEFAC4_1123.jpg" data-mid="76282080" border="0" align="left" data-title="670 — 670 × 946"data-hi-res="https://payload.cargocollective.com/1/4/147896/14041379/4Cartazes_jornadasGEFAC4_1000.jpg" /> A Mulher e a Cultura Popular Cliente: GEFAC – Grupo de Etnografia e Folclore da Academia de Coimbra Gulbenkian Conference http://joanamonteiro.pt/Gulbenkian-Conference http://joanamonteiro.pt/following/joanamonteiro.pt/Gulbenkian-Conference Tue, 14 Jan 2020 16:47:13 +0000 Joana Monteiro 10754857 Visual identity and application for Fundação Calouste Gulbenkian 2015 conference "Europe Beyond the Crisis". Banner, Outdoor poster and Advert <img src="https://payload.cargocollective.com/1/4/147896/10754857/destaque_slide_homepage_AEAC_PT-EN_670.png" width="670" height="346" width_o="1365" height_o="706" src_o="https://payload.cargocollective.com/1/4/147896/10754857/destaque_slide_homepage_AEAC_PT-EN_1365.png" data-mid="57854825" border="0" align="left" data-title="670 — 670 × 346"data-hi-res="https://payload.cargocollective.com/1/4/147896/10754857/destaque_slide_homepage_AEAC_PT-EN_1340_c.png" /><img src="https://payload.cargocollective.com/1/4/147896/10754857/tela_exterior_conferencia_AEPAC_2_670.jpg" width="670" height="1005" width_o="1134" height_o="1701" src_o="https://payload.cargocollective.com/1/4/147896/10754857/tela_exterior_conferencia_AEPAC_2_1134.jpg" data-mid="57854682" border="0" align="left" data-title="670 — 670 × 1005"data-hi-res="https://payload.cargocollective.com/1/4/147896/10754857/tela_exterior_conferencia_AEPAC_2_1000.jpg" /><img src="https://payload.cargocollective.com/1/4/147896/10754857/anuncio_PUB_Alto_AEuropaParaAlemdaCrisePRINT_378.png" width="378" height="768" width_o="378" height_o="768" src_o="https://payload.cargocollective.com/1/4/147896/10754857/anuncio_PUB_Alto_AEuropaParaAlemdaCrisePRINT_378.png" data-mid="57854706" border="0" align="left" data-title="670 (378) — 378 × 768"/> Visual identity and application for Fundação Calouste Gulbenkian 2015 conference "Europe Beyond the Crisis". Banner, Outdoor poster and Advert Can you hear the colour of my heart http://joanamonteiro.pt/Can-you-hear-the-colour-of-my-heart http://joanamonteiro.pt/following/joanamonteiro.pt/Can-you-hear-the-colour-of-my-heart Mon, 25 Nov 2019 18:05:12 +0000 Joana Monteiro 6608551 How we see the world, meaning everything that is around us, is sometimes misplaced by our limitative cognitive sensors, meaning not only our senses but also our prejudices, our judgments. Synesthete people perceive the world with misplaced senses. In my opinion all of us do exactly the same with our feelings and emotions. We misplace them. We don't express them or express them incorrectly. And in the end we become dull. dull: 1. mentally slow, stupid 2. slow in perception or sensibility 3. slow in action 4. not resonant or ringing 5. lacking sharpness of edge or point 6. lacking brilliance or luster 7. of a color: low in saturation and low in lightness Part of the exhibition on Synesthesia: Eggshell Clangwave Oscillator System Looking Quiet Camberwell College of Arts 25 January - 5 February 2010 How we see the world, meaning everything that is around us, is sometimes misplaced by our limitative cognitive sensors, meaning not only our senses but also our... Materialities of Literature Programme http://joanamonteiro.pt/Materialities-of-Literature-Programme http://joanamonteiro.pt/following/joanamonteiro.pt/Materialities-of-Literature-Programme Mon, 25 Nov 2019 18:05:11 +0000 Joana Monteiro 7203296 Advanced Studies in the Materialities of Literature, FCT PhD Programme, University of Coimbra. Client: Faculdade de Letras, Universidade de Coimbra In collaboration with Paul Hardman <img src="https://payload.cargocollective.com/1/4/147896/7203296/88_matlitcover.jpg" width="567" height="751" width_o="567" height_o="751" src_o="https://payload.cargocollective.com/1/4/147896/7203296/88_matlitcover_o.jpg" data-mid="47618375" border="0" align="left" data-title="670 (567) — 567 × 751"/><img src="https://payload.cargocollective.com/1/4/147896/7203296/88_matlitspread01.jpg" width="670" height="452" width_o="1049" height_o="709" src_o="https://payload.cargocollective.com/1/4/147896/7203296/88_matlitspread01_o.jpg" data-mid="47618378" border="0" align="left" data-title="670 — 670 × 452"data-hi-res="https://payload.cargocollective.com/1/4/147896/7203296/88_matlitspread01_o.jpg" /><img src="https://payload.cargocollective.com/1/4/147896/7203296/88_matlitspread02.jpg" width="670" height="452" width_o="1049" height_o="709" src_o="https://payload.cargocollective.com/1/4/147896/7203296/88_matlitspread02_o.jpg" data-mid="47618385" border="0" align="left" data-title="670 — 670 × 452"data-hi-res="https://payload.cargocollective.com/1/4/147896/7203296/88_matlitspread02_o.jpg" /><img src="https://payload.cargocollective.com/1/4/147896/7203296/88_matlitspread03.jpg" width="670" height="452" width_o="1049" height_o="709" src_o="https://payload.cargocollective.com/1/4/147896/7203296/88_matlitspread03_o.jpg" data-mid="47618392" border="0" align="left" data-title="670 — 670 × 452"data-hi-res="https://payload.cargocollective.com/1/4/147896/7203296/88_matlitspread03_o.jpg" /><img src="https://payload.cargocollective.com/1/4/147896/7203296/88_matlitspread04.jpg" width="670" height="452" width_o="1049" height_o="709" src_o="https://payload.cargocollective.com/1/4/147896/7203296/88_matlitspread04_o.jpg" data-mid="47618401" border="0" align="left" data-title="670 — 670 × 452"data-hi-res="https://payload.cargocollective.com/1/4/147896/7203296/88_matlitspread04_o.jpg" /><img src="https://payload.cargocollective.com/1/4/147896/7203296/88_pagedetailr.jpg" width="670" height="446" width_o="1000" height_o="667" src_o="https://payload.cargocollective.com/1/4/147896/7203296/88_pagedetailr_o.jpg" data-mid="47618405" border="0" align="left" data-title="670 — 670 × 446"data-hi-res="https://payload.cargocollective.com/1/4/147896/7203296/88_pagedetailr_o.jpg" /> Advanced Studies in the Materialities of Literature, FCT PhD Programme, University of Coimbra. Client: Faculdade de Letras, Universidade de Coimbra In... Psychoanalysis Society Magazine http://joanamonteiro.pt/Psychoanalysis-Society-Magazine http://joanamonteiro.pt/following/joanamonteiro.pt/Psychoanalysis-Society-Magazine Mon, 25 Nov 2019 18:05:09 +0000 Joana Monteiro 8825322 Redesign of Revista Portuguesa de Psicanálise. The publication was originally in a book format, our design was intended to make it more visible and to introduce visual content. Design collaboration and illustrations: Paul Hardman <img src="https://payload.cargocollective.com/1/4/147896/8825322/86_00rpdpcover.jpg" width="670" height="496" width_o="1000" height_o="741" src_o="https://payload.cargocollective.com/1/4/147896/8825322/86_00rpdpcover_o.jpg" data-mid="47618578" border="0" align="left" data-title="670 — 670 × 496"data-hi-res="https://payload.cargocollective.com/1/4/147896/8825322/86_00rpdpcover_o.jpg" /><img src="https://payload.cargocollective.com/1/4/147896/8825322/86_02rpdpeditorial.jpg" width="670" height="496" width_o="1000" height_o="741" src_o="https://payload.cargocollective.com/1/4/147896/8825322/86_02rpdpeditorial_o.jpg" data-mid="47618599" border="0" align="left" data-title="670 — 670 × 496"data-hi-res="https://payload.cargocollective.com/1/4/147896/8825322/86_02rpdpeditorial_o.jpg" /><img src="https://payload.cargocollective.com/1/4/147896/8825322/86_03rpdpeddetail.jpg" width="670" height="496" width_o="1000" height_o="741" src_o="https://payload.cargocollective.com/1/4/147896/8825322/86_03rpdpeddetail_o.jpg" data-mid="47618604" border="0" align="left" data-title="670 — 670 × 496"data-hi-res="https://payload.cargocollective.com/1/4/147896/8825322/86_03rpdpeddetail_o.jpg" /><img src="https://payload.cargocollective.com/1/4/147896/8825322/86_04rpdpspread.jpg" width="670" height="496" width_o="1000" height_o="741" src_o="https://payload.cargocollective.com/1/4/147896/8825322/86_04rpdpspread_o.jpg" data-mid="47618613" border="0" align="left" data-title="670 — 670 × 496"data-hi-res="https://payload.cargocollective.com/1/4/147896/8825322/86_04rpdpspread_o.jpg" /><img src="https://payload.cargocollective.com/1/4/147896/8825322/86_05rpdpspread.jpg" width="670" height="496" width_o="1000" height_o="741" src_o="https://payload.cargocollective.com/1/4/147896/8825322/86_05rpdpspread_o.jpg" data-mid="47618618" border="0" align="left" data-title="670 — 670 × 496"data-hi-res="https://payload.cargocollective.com/1/4/147896/8825322/86_05rpdpspread_o.jpg" /><img src="https://payload.cargocollective.com/1/4/147896/8825322/86_06rpdpfalseself.jpg" width="670" height="496" width_o="1000" height_o="741" src_o="https://payload.cargocollective.com/1/4/147896/8825322/86_06rpdpfalseself_o.jpg" data-mid="47618621" border="0" align="left" data-title="670 — 670 × 496"data-hi-res="https://payload.cargocollective.com/1/4/147896/8825322/86_06rpdpfalseself_o.jpg" /><img src="https://payload.cargocollective.com/1/4/147896/8825322/86_07rpdpimpasse.jpg" width="670" height="496" width_o="1000" height_o="741" src_o="https://payload.cargocollective.com/1/4/147896/8825322/86_07rpdpimpasse_o.jpg" data-mid="47618628" border="0" align="left" data-title="670 — 670 × 496"data-hi-res="https://payload.cargocollective.com/1/4/147896/8825322/86_07rpdpimpasse_o.jpg" /><img src="https://payload.cargocollective.com/1/4/147896/8825322/86_08rpdpdistante.jpg" width="670" height="496" width_o="1000" height_o="741" src_o="https://payload.cargocollective.com/1/4/147896/8825322/86_08rpdpdistante_o.jpg" data-mid="47618636" border="0" align="left" data-title="670 — 670 × 496"data-hi-res="https://payload.cargocollective.com/1/4/147896/8825322/86_08rpdpdistante_o.jpg" /><img src="https://payload.cargocollective.com/1/4/147896/8825322/86_09rpdptank.jpg" width="670" height="496" width_o="1000" height_o="741" src_o="https://payload.cargocollective.com/1/4/147896/8825322/86_09rpdptank_o.jpg" data-mid="47618638" border="0" align="left" data-title="670 — 670 × 496"data-hi-res="https://payload.cargocollective.com/1/4/147896/8825322/86_09rpdptank_o.jpg" /><img src="https://payload.cargocollective.com/1/4/147896/8825322/86_01rpdpback.jpg" width="670" height="496" width_o="1000" height_o="741" src_o="https://payload.cargocollective.com/1/4/147896/8825322/86_01rpdpback_o.jpg" data-mid="47618594" border="0" align="left" data-title="670 — 670 × 496"data-hi-res="https://payload.cargocollective.com/1/4/147896/8825322/86_01rpdpback_o.jpg" /> Redesign of Revista Portuguesa de Psicanálise. The publication was originally in a book format, our design was intended to make it more visible and to introduce ... Put Some... http://joanamonteiro.pt/Put-Some http://joanamonteiro.pt/following/joanamonteiro.pt/Put-Some Mon, 25 Nov 2019 18:05:08 +0000 Joana Monteiro 8825399 Put Some..., music promotor and events organizer Photography and Design for Flyers <img src="https://payload.cargocollective.com/1/4/147896/8825399/Screen-Shot-2014-11-03-at-3.24.33-PM.png" width="540" height="721" width_o="540" height_o="721" src_o="https://payload.cargocollective.com/1/4/147896/8825399/Screen-Shot-2014-11-03-at-3.24.33-PM_o.png" data-mid="47619047" border="0" align="left" data-title="670 (540) — 540 × 721"/><img src="https://payload.cargocollective.com/1/4/147896/8825399/Screen-Shot-2014-11-03-at-3.24.40-PM.png" width="425" height="566" width_o="425" height_o="566" src_o="https://payload.cargocollective.com/1/4/147896/8825399/Screen-Shot-2014-11-03-at-3.24.40-PM_o.png" data-mid="47619059" border="0" align="left" data-title="670 (425) — 425 × 566"/><img src="https://payload.cargocollective.com/1/4/147896/8825399/Screen-Shot-2014-11-03-at-3.24.45-PM.png" width="356" height="492" width_o="356" height_o="492" src_o="https://payload.cargocollective.com/1/4/147896/8825399/Screen-Shot-2014-11-03-at-3.24.45-PM_o.png" data-mid="47619069" border="0" align="left" data-title="670 (356) — 356 × 492"/> Put Some..., music promotor and events organizer Photography and Design for Flyers